TOO SENSITIVE OR NOT TOO SENSITIVE?-THAT IS THE QUESTION

So, I wrote a book.

It’s been said, “write what you know”. That advice can be tricky. If you write about a serial killer, maybe you shouldn’t follow that advice. What if you’re writing about an ancient Egyptian Pharaoh? Is it wrong to try to get inside their head and create a character with which you have no cultural or physical connection?

I’m working up to a point.

A few years back, I wrote a detective short story. I wanted my main character to be unique. He had to avoid being the stereotypical private eye. Even more, I wanted him to be someone that could be underestimated. It would be that characteristic that he could use to his advantage. I had just finished watching Game of Thrones and was impressed by the Peter Dinklage’s portrayal of Tyrion. Here was a character that defied expectations and went on to become a leader (spoiler alert).

I knew a had an image for my detective, Fix Larson.

From the outset, I knew that I had to be careful and make his character as true to life as possible. Fix could not be a stereotype of a person with dwarfism. So, I put in many hours of research. I studied the forms of dwarfism, their symptoms, their challenges, everything I could find. I read blogs and watched posts from people in the Little Person community. Then, I sought out people with dwarfism and asked them to beta read my novel to make sure I got things correct. And I’m glad that I did. For the most part, my portrayal was spot on. However, one awesome reader pointed out some nuances that I got wrong.

I got the novel completed and edited. Then, I sent it to my agent.

That’s where I hit my first wall.

More in my next post.

Please feel free to comment. Also, check out my writer advice posts on TikTok at @jensenjames06

MAKING TIME FOR WRITING

Unless you’re among the extreme minority of writers who make a comfortable living off of those words you create, time is never on your side. Long gone are the days of wealthy patrons who adopt a poor writer and set them up in a spare room on their estate. Or is that just a fantasy we writers like to dream that there used to be?

My bills are paid by my day job as a bookseller. Actually, I live in San Diego. So, it takes my bookselling job and my wife’s bookstore job, and her library job to pay the bills. Even when I was a full-time reporter, I didn’t make a living at it. I’ve always had to juggle my writing time around the paying bills time.

If you have the same problem, I’ve listed below the ways I fit time for writing into my daily work life. Hopefully, some of the ideas will work for you as well. Also, if you have any suggestions, please leave a comment.

• PUBLIC TRANSPORTATION IS A WRITER’S FRIEND: Taking the bus to work gives me 30-40 minutes of uninterrupted writing time on the way to and from work. Either I carry my laptop or use my cell phone to type away on my current WIP or work on notes.

• CARRY YOUR WORK WHEREVER YOU GO: I use the Scrivener writing program. It allows me to go back and forth between my laptop and phone with ease. Anything I write is updated on my other devices. Whenever I’m stuck someplace with nothing to do but wait, I can whip out my phone and knock out a couple of paragraphs.

• TURN OFF DISTRACTIONS: TV and social media are time suckers. Limit your social media time. If you’re on social media, try to make it benefit your writing by sticking to writing groups and posts. Watching TV is fine. But limit it to set times.

• GET YOUR FAMILY INVOLVED: I don’t mean have them help you write. Although, my wife is a great beta reader for me. What I mean is to have your family understand and support your writing goals. Let them know that you’ve set aside time to write and ask them to help you stick to it. I tell my wife that she’s free to nag me when I neglect my writing.

• STAY ORGANIZED: Writing is work. Plan your writing time. Keep your projects organized so you can drop in and out without getting lost. I have a separate email account just for my writing. I use it to email myself story notes, research, and other things directly related to my writing. In that email account, I’ve created folders for each project as well as markets, research and more. That way, I never have to go searching very far for my information.

• KEEP OTHER PROJECTS GOING: I say there’s no such thing as writer’s block if you have more than one project going. If you’ve hit a spot in your novel where the path has grown dark, jump onto another project and dedicate some time there while you give the other project time to rest. It could be something as simple as a short story or even an outline. Not writing is a creativity killer.

All of the above have helped me out. However, I admit that I sometimes get sidetracked and have to correct my course. One thing that’s helped is that I’ve tried to make writing a daily habit. After a couple of weeks of setting aside a certain time to write, you will become uncomfortable if you don’t do it. It will become something you have a desire to do. Try it.

I hope that some of the above ideas help you. Writing isn’t easy. Like anything worthwhile, you have to make it a priority. Give it some dedication, and your writing will reward you. Now, quit reading this and go write.

Thanks for reading,

J.A. Jensen

VIOLENCE OR "LIVE AND LET DIE"

When you write a mystery, the portrayal of violence is a given. How that violence is portrayed determines what kind of mystery you’re writing. Most of my favorite mysteries have fallen more towards the Cozy side. In such, the violence is discrete and easily covered up by the nearest sheet or oriental carpet. Agatha Christie was the Queen of the Cozy. Even modern writers like Louise Penny tend to keep the gore to a minimum.

That’s not to say I don’t like a gritty mystery/thriller. I enjoy Don Winslow, Carl Hiaasen, Elmore Leonard, and even the craziness of Tim Dorsey. I’ve read Thomas Harris and am amazed how he can even make Hannibal Lechter accessible as a human being.

Currently, I’m toeing the line between a Cozy and a Thriller. Since it involves smuggling in modern Florida, there’s bound to be violence of some sort. And yet, I find myself hesitating to step over the killing line. The people involved are seriously corrupt. However, are they corrupt enough to kill? I guess that depends on the motive. At this point, I only see them killing in self defense. Still, at least two of the minor characters are capable of killing without provocation. They’ve already threatened a kid’s life.

There’s a scene coming up where things are about to blow apart. I’m curious to see how each character reacts. They’ve thrown me some surprises so far. There are some hinted at background stories that I am just starting to explore. That’s one of the most pleasurable things about writing for me. I love watching the story play out in the theater of my mind.

I’ll let you know how it turns out later.

In the meantime, what are your thoughts on violence in books? Is there such a thing as too much? Where do you draw the line. If you’re a writer, tell me how you handle the subject.

As always, thanks for reading.

MY DAY JOB

Very few writers make a living at writing. For every Stephen King, there are thousands of unknowns, plugging away in obscurity. Even those writers who have a few publishing credits still need a day job to pay the bills.

I’ve been in bookselling for about 30 years. I’ve completed the Hat Trick of working for the three major chains (Barnes and Noble, Borders, and Books-A-Million). Granted, Borders has become the retail Dodo bird. Now, I work for an Independent Bookstore.

Working for a bookstore is great training for a writer. Even better, I’m also the Local Author Coordinator. Also, I’ve worked as an assistant buyer when I was with Borders. So, I’ve seen the process that writers go through from the start to finish.

Also, being a bookseller, I’m expected to read more than the average person. I’ve got to at least know a little about every book that we carry in the store. Granted, my actual reading will always be based on what I like to read. Still, I can direct a customer to the latest popular romance title just as easily as my favorite historical mystery.

All this exposure to literature informs my writing, just as everyday life does. I read the other day that natural writers never stop writing. Even when we’re away from the keyboard or pen, we’re still thinking about and planning our stories. Even my daily commute is not wasted. I’m either listening to an audio book or tapping away on my phone. Thank you Scrivener for having an IOS app.

Will I ever be able to quit my “day job” to write full time? Maybe. However, the odds are not in my favor. Still, as a bookseller, I not only see the great books being published, I also see the crap out there as well. So, I have undying hope.

Either way, I’ll never stop writing. I wrote my first short story in elementary school. There’s no stopping now.

Have a great writing week. Please leave a comment or say hello.

ORGANIZING A NOVEL

Since I write Historical Mysteries as well as horror, I belong to the class of fiction writers known as “plotters”. I want to have the framework in place before I let my detective work his way through the puzzle. I know where the beats need to hit and how the structure of the acts follows a classic detective narrative.

Now within that framework, my characters have full license to take me on surprising tangents and often do so without my knowing what they might say or do in a particular situation. So, in that part of the process, I become a bit of a “Pantser” (seat of your pants).

A couple of years ago, had the extreme privilege of spending a couple of hours with the late horror master, Dennis Etchison. Aside from being a little awestruck of being in the presence of a master story teller, it was a an unexpected pleasure to learn that we both received, “The Muse” in a similar way. We both described the experience of watching a movie play out in our minds and working like crazy to record those images on paper.

So, within the bare erector set of my novel, I record a movie that runs across the screen behind my eyes. As such, I’m never quite sure what my characters are going to say or do until it’s done.

I’ve attached a photo that shows a small part of the framework I use. I borrowed a lot of the elements from J.K. Rowling. With it, I’m able to know where each character is at any given time. Along with that paper, I also use Aeon Timeline 2.0 software to maintain a proper chronology. It syncs perfectly with my Scrivener writing program.

Please let me know what works for you in the comments. If you’re in the mood for a free scary story, check out my Southern Gothic Horror, Haunting Annabelle, over on Wattpad https://my.w.tt/YIQ0icvCJY.

Have a great week of writing and thanks for reading.